Milestone #2: Data Assembly¶
The second step of this project is to access the Google Street View data and organize it in a suitable format. In my project plan my target was to reach this goal by February 21st (last Wednesday). Although I have accomplished a lot, I have not achieved all of the things I wanted to achieve for this milestone. I expect to hit it by next week at the latest.
Here's what I have achieved.
First, I can download all of the relevant data from Google. This includes all of the panorama image data and meta data. I can also access the panorama ids for the neighboring locations. All of the metadata is stored in a database.
Vito Acconci was a poet, performance artist, installation artist, designer, and literature editor. His work defies classification. In his words:
If I specialize in a medium, I would be fixing a ground for myself, a ground I would have to be digging myself out of, constantly, as one medium was substituted for another - so, then, instead of turning toward “ground” I would shift my attention and turn to “instrument,” I would focus on myself as the instrument that acted on whatever ground was, from time to time, available.
Vito Acconci - Theories and Documents of Contemporary Art
I created a short 10 minute presentation on Vito Acconci to share with the class.
Anthony McCall (b: 1946) is a British born artist based in New York City. He is well known for his solid light installations that challenge the traditional model of films by bringing attention to the light and projector by discarding any kind of story or plot shown on a projector screen.
McCall studied graphic design and photography at Ravensbourne College of Art and Design in England from 1964 to 1968. After graduation he was active in a London film-makers cooperative and made films documenting outdoor performances, often involving fire.
Our next machine is the CNC. CNC stands for Computer Networked Control, and works kind of like the Hand Router except it is controlled by a computer and not my hands. Our assignment was to build something with this using 'pockets' and 'contours'. The computer aided machining (CAM) software calls a carved out hole a 'pocket' and a cut line a 'contour'.
This was a challenging task. I had to go back and forth between the shop's CAM station and the CNC several times. The first trip back was because I forgot to set the depth levels to a negative number. Without that the CNC will mill the air above my wood. After I got that corrected I had some difficulty setting up the machine. John and Shreiya helped me turn the machine on and attach my wood to the CNC bed.
The Woman's Building was a center for female education in the arts that operated from 1973 to 1991. The goal of the center was to develop new art practices and an artistic community that supported the needs of women.
“It was an opportunity to be empowered. We could learn skills that we never learned before, and more important, that we could just create our place in the world, which is really what the Women’s Building represented. It’s a public center for women’s culture. That we live in a world that is very male dominated, and the art world was certainly not serving us as women artists. We were very invisible and that we could carve out this little space that would be our space, and not just our space privately, but our space publicly. To say, ‘Here’s what we are making as women artists. Come see.’” - Cheri Gaulke
I created a short 10 minute presentation on the Woman's Building to share with the class.
Gordon Matta-Clark was an artist who was famous for cutting holes into existing buildings to create art. Defining his artistic practice “Anarchitecture,” Matta-Clark directly addressed the social conditions of his day and presented them in a way that made people pay attention to something they would otherwise ignore.
Matta-Clark studied architecture at Cornell from 1962 to 1968 but did not practice architecture in a conventional manner. After college when he returned to his native New York (1969), he was disturbed by the conditions of his day and wanted to address the social problems. At the time there were a lot of decrepit and vacant apartments. There was a large homeless population and garbage littered the streets. In Matta-Clark’s words, “I have chosen not isolation from the social conditions, but to deal directly with social conditions whether by physical implication, as in most of my building works, or through more direct community involvement. ”
The Songs for Sabotage exhibition at the New Museum presents the work of a collection of young artists from around the world. This exhibition attempts “a call for action, an active engagement, and an interference in political and social structures ,” but only some of the work presented seemed to relate to that goal. Nevertheless, there are many talented artists included presenting a diverse collection of work.
Diamond Stingily’s E.L.G. (2018) addresses our social problems with a large metal swing set with a single swing. On the support beam directly above the swing is a single brick, positioned in such a way to threaten someone below if someone were to use the swing. Given that children most commonly use swing sets, it seems to reference the danger children face in the world today. The work also includes a metal ladder on the side of the swing set, leading to nowhere. I understood this to represent the lack of a clear future children face as they climb the metaphorical “ladder of success.” Stingily’s social and economic background from growing up in Chicago influences her work .
This week I milled aluminum with the Othermill. Here is the result:
I really like the Othermill.