Tania Bruguera is a Cuban-born performance artist and activist. Her work challenges the people who experience it to consider and understand the oppression of the Cuban people under the Cuban revolution and the resulting Castro regime.
Bruguera’s work, purposefully titled Untitled (Havanana, 2000), is set in a long dark tunnel with sugarcane lining the floors. This first took place in a military bunker previously used for prisoners and executions during the Cuban revolution but was quickly shut down by government authorities. The setting was recreated at MoMA using actual concrete walls and sugarcane lined floors. A television on the ceiling shows decaying video of Castro hugging his people and playing the role of a benevolent, powerful, and gracious leader. This contrasts with the lives of Cubans after the revolution.